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TALKING BOOKS

Anand gokani

Rachna Singh, Editor, The Wise Owl talks to Dr Anand Gokani about his book 'A Fistful of My Sky'

Talking Books

With Anand Gokani

Rachna Singh, Editor, The Wise Owl talks to Dr Anand Gokani, a multi-faceted personality who balances roles of a doctor, creative writer and artist with elan. Dr Anand Gokani is a Consultant Physician with Diabetes and Metabolic Diseases as a speciality.  He has practiced at the Bombay Hospital and the Breach Candy Hospital in Mumbai for the past 36 years. Dr Anand Gokani’s role as a Trustee at the Bombay Medical Aid Foundation is a testament to his dedication to providing care and support to those in need. He founded a Palliative Care Ward at the hospital to care for terminally ill patients to give them comfort and dignity in the last months of life.

 

An avid traveller, Anand writes and reads various subjects and enjoys sports and photography. He has authored a book on The Role of Vegetarian Diet in Health and Disease (1988). He has also compiled a book on pictures and aphorisms titled ‘At The Crack Of Dawn’ (2022). His latest title ‘A Fistful of My Sky: Memories of Jawhar’ (2024) is an experiential book that documents his experiences as a medical intern in Jawhar, a small town in Maharashtra.

 

Thank you for taking time out of your busy schedule and talking with The Wise Owl about your book ‘A Fistful of My Sky’.

 

RS: What inspired you to document your experiences as an intern in Jawhar and transform them into A Fistful of My Sky? Could you share the moment or realization that prompted you to preserve these memories in writing?

 

AG: Since my childhood I was fond of writing and reading. Having read so much over the years I realised that time is short and it’s high time I started to write too. I have had a chequered life with its share of ups and downs and I always thought that, one day, I will pen my thoughts and my life’s events for the next generation to read. I thought, if my experiences help someone to learn and move on higher than where I left off, it would mean I lived my life well. So, I picked up my pen to record my life and my thoughts. A chance trip to the adivasi region of Jawhar to scout for an appropriate location to hold a social service school camp suddenly brought me face to face with my past experience there as an intern. This visit brought back all the memories of my time spent there during my training as an intern and, when I saw that the life of the poor peasants of Jawhar had hardly progressed since we had left the area in 1981-82, inspired me to do something for them. This motivated me to make my first foray into the literary world. Writing this book has not only re-ignited my memories of one of the best times in my life, but has also aroused in my heart the strong desire to do something for the people of Jawhar. I wrote this book to apprise the Haves about the Have-nots so that it may awaken the desire amongst many more to do something for our fellow humans.

 

RS:  How did the time spent in Jawhar shape your perspective as a young doctor and as an individual? Did the experience influence the direction of your medical career or your philosophy as a healthcare provider as well as an individual?

 

AG: After finishing MBBS, we are mandated to do a year-long internship wherein we are given supervised freedom to treat patients. We have to spend six months in an urban setting and six months in a rural setting. I selected Jawhar for my rural stint with a sense of trepidation and guarded excitement. I didn’t know what I was in for and was not being helped by my colleagues’ constant chiding for having selected a tough centre to do my rural stint. However, as is evident in the book, I was drawn into the magic of the people and the environs of Jawhar and very soon, I was completely immersed in work and involved fully in the life of the hospital. What I learnt there was the value of hard work, the meaning of gratitude, simplicity in living, and innovation in high pressure situations. The raw materials for this learning experience had been accumulated in the urban setting. These qualities were honed to sharpness in this setting of unremitting adversity. This experience helped to shape in all of us the desire to serve the lesser fortunate, to continue to learn and innovate even as we grow in practice, to be content with what we have and to give ‘till it hurts’ (to quote Mother Theresa). This stint taught me that ailments can afflict anyone regardless of post or privilege and that our religion is to serve, no matter what.

 

 

RS: You mention stories of grit, gratitude, and innovation in your book. Can you share an anecdote from the book that epitomizes these qualities? For instance, the story of Dhavali or the medical case involving Shiva—what made these moments stand out for you?

 

AG: Grit, gratitude, innovation, resilience and persistence we learnt unequivocally. But, unbeknownst to our conscious appreciation we also learnt the four pillars of stoic philosophy—wisdom, justice, temperance and courage. Every day and every patient reinforced these lessons in our minds and finally made them second nature to our being.

 

When Dhavali arrived at our doorstep, we were expected to send her to a higher centre in Thane, ostensibly for better treatment. But that fact was for the books. In reality she was on the verge of death. If something was not done immediately. She would have NEVER survived the long and arduous journey to Thane civil hospital in her present condition. We were constrained to make the hard decision to keep her and give her our best despite all odds, and that paid us rich dividends in the form of a life saved. That gave us such a huge dose of confidence and fulfilment.

 

Similarly, in Potya’s case we were feeling our way in the dark, drawing on whatever pooled experience we could muster and exerting our every resource to save his life. The value of courage in the face of imminent danger and failure, persistence despite all odds and a kind of equanimity amidst adversity were lessons learnt on those nights where we soldiered on with a prayer on our lips and hope in our hearts.

 

The scene of gratitude that touched the core of my being was when Laxmi’s husband came to thank us after we had saved her life despite her being so advanced in the complications following a snake bite. I can never forget how he untied the corner of his dirty cloth deliberately with a thoughtful and grateful expression on his countenance and pulled out an old, soiled, one-rupee note and, placing it on the table, smoothing out the creases gently, he presented it to us, saying that he had nothing more to give us by way of gratitude. The memory of that day, that moment, still brings a lump to my throat. And finally… in Shiva’s case, we learnt the true meaning of ‘Fortune favours the brave’ and nearer home…Dar ke aage jeet hai !

 

 

RS: This memoir is a blend of medical, cultural, and personal narratives. What was your approach to weaving these threads together? How did you balance the technical aspects of medicine with the emotional and cultural storytelling?

 

AG: Life is a blend of medical, cultural, personal and so many other narratives. Don’t you agree?… Hence, since this was a ‘fistful of my Sky’ meaning ‘a bit of my life’ it wasn’t difficult to weave these emotions as they occurred in my life, in my mind. I have simply related my mind’s state in the midst of all these events and the emotions that they aroused. And…since this book was aimed at everybody, medical or non-medical, I kept the style simple and easily comprehensible. I feel, heavy technical jargon in any situation is contrary to the sustenance of interest and attention… and this was the guiding principle in keeping the text simple yet absorbing for the lay reader as well as a medical professional.

 

 

RS: Our readers would be curious to know if you plan to write more about your experiences in medicine or explore other themes in your future work? Are there other aspects of your journey as a doctor that you feel compelled to share. Do you see yourself continuing with non-fiction, or are you interested in exploring other genres?

 

AG: As I have had an extremely eventful and rewarding career in Medicine, I have truckloads of experiences that i can share with people. Hence I am very comfortable penning my thoughts on my experiences in Medicine and the learnings that I accrued from those experiences. These inputs would then border on issues of ethics, values, and philosophy in addition to the myriads of medical events. The state of Medicine and medical practice …what it was and what it is … would be another issue I would love to touch upon in future. Particularly since the entire health care scenario has taken an about turn with the advent of new technologies and the commercialisation of health care. I would love to delve into the world of fiction but haven’t given serious thought on the genre I’d like to pursue.

 

 

RS: Looking at your books, it is clear that you have nurtured your creative side even while you worked as a doctor to alleviate suffering and disease. Your photographs in your coffee table book are stellar and your book ‘A Fistful of sky’ has lyrical flow that is rare. Tell us, we are curious to know, how you nurtured your creativity?

 

AG: Thank you for your kind words. I would love to live up to their implications. We all have a creative side in us…dormant or active. Historically it has been seen that those who achieved success, fame, honour and glory in life; those who, in Kipling’s words, opened up each unforgiving minute and filled it with sixty seconds of distance run, were those who had unearthed and exploited their creative side. The creative instinct needs a release, needs nurturing, needs encouragement …or else it perishes, shackled in chains of low self esteem, lack of confidence or fear of rejection. One of the most useful supports to the unleashing of one’s creativity is to have a pen and paper handy at all times. Bits and pieces, nuggets, masterpieces of creativity, flash across the mind’s landscape at any time, without any warning, only to be lost in the quagmire of oblivion unless caught on time and immortalised on paper. This rather dramatic description is the actual way I tried to harness my creative spirit. In times of distress, despondency, delight or depression thoughts would spring out, sometimes even poetic, only to be lost when the mood changed. Adversity is the mother of creativity and some of the best prose or poetry has been born in difficult times. Lock down afforded the time for introspection and the opportunity to give a tangible form to latent creativity. The rest is practice and more practice to get better and better at your endeavour.

 

 

RS: How do you see rural healthcare in India evolving today? Do you think the issues you faced in the 1980s still persist in rural healthcare today? What changes would you like to see to improve the lives of doctors and patients in similar settings?

 

AG: I feel that every society, in today’s times, is roughly divisible into urban and rural. We can add the word semi to both to account for the borderline classes. And I dare say, with a great deal of trepidation, that the urban society is forging ahead exponentially whereas the rural society is being completely denied any advantage of the progress being made around us. The stark divide is only becoming wider with the passage of time. The principles adopted for rural development are the same ones adopted for the urban society. There is no relevance in the measures being taken for rural development. The examples are many. For instance, the cottage hospital where I worked had been given brighter lights and granite-like flooring but the means of transportation to the hospital or the quality of doctors attending has deteriorated over the years. The plight of the adivasis remains the same. Deaths still occur for reasons that are unimaginable to the city dweller. What rural healthcare needs is a relevant programme that affords them with basic care. They need a good mother-child care network which is easily accessible, better transportation to the hospital or health centre, and better doctors who can deliver treatment. They don’t need granite flooring and sophisticated ICU and surgical theatres, nor do they need 200 bedded hospitals which are not connected to remote villages by regular buses or quick response ambulances. There is so much to do…but it needs the Will to do it.

 

 

Thank you so much Anand for taking time out of your busy schedule to talk with The Wise Owl. Our compliments for the tremendous work you are doing in palliative care and our best wishes for your creative journey.

About Anand Gokani
Anand Gokani

Dr Anand Gokani, a multi-faceted personality who balances roles of a doctor, creative writer and artist with elan. Dr Anand Gokani is a Consultant Physician with Diabetes and Metabolic Diseases as a speciality.  He has practiced at the Bombay Hospital and the Breach Candy Hospital in Mumbai for the past 36 years. Dr Anand Gokani’s role as a Trustee at the Bombay Medical Aid Foundation is a testament to his dedication to providing care and support to those in need. He founded a Palliative Care Ward at the hospital to care for terminally ill patients to give them comfort and dignity in the last months of life.

 

An avid traveller, Anand writes and reads various subjects and enjoys sports and photography. He has authored a book on The Role of Vegetarian Diet in Health and Disease (1988). He has also compiled a book on pictures and aphorisms titled ‘At The Crack Of Dawn’ (2022). His latest title ‘A Fistful of My Sky: Memories of Jawhar’ (2024) is an experiential book that documents his experiences as a medical intern in Jawhar, a small town in Maharashtra.

A doctorate in English literature and a former bureaucrat, Rachna Singh has authored Penny Panache (2016) Myriad Musings (2016) Financial Felicity (2017) & The Bitcoin Saga: A Mixed Montage (2019). Her latest book is Phoenix in Flames, a book about eight ordinary women from different walks of life who become extraordinary on account of their fortitude & grit. She writes regularly for National Dailies and has also been reviewing books for the The Tribune for more than a decade. She runs a YouTube Channel, Kuch Tum Kaho Kuch Hum Kahein, which brings to the viewers poetry of established poets of Hindi & Urdu. She loves music and is learning to play the piano. Nurturing literature & art is her passion and to make that happen she has founded The Wise Owl, a literary & art magazine that provides a free platform for upcoming poets, writers & artists. Her latest book is Raghu Rai: Waiting for the Divine, a memoir of legendary photographer, Raghu Rai.

About Rachna Singh
Image by Debby Hudson

Talking Books

Anmol Sandhu talks to Sonia Chauhan about her book This Maze of Mirrors

Hi Joanna. Thanks for talking to The Wise Owl

 

RS: Your collection of Cherita ‘river lanterns’ has been released recently. Our readers would be eager to know (as I am) what inspired you to write this beautiful collection of 90 virgin Cherita. 

 

JA:  I have been published in Ai Li’s Cherita journals for a while and love writing in this form.  I mentioned in my email correspondence to Ai Li that I aspired to have my own Cherita collection published.  She offered to edit my selection of poems from a large selection that I sent her.  I would say my inspiration came from reading Ai Li’s own collections of her Cherita verse, they are so beautiful. 

 

When I began writing these, I was mindful to really show me as not only a writer but as the person beneath and how the Cherita form bends to the art of storytelling.  It took me some time to write these and I am delighted with the narrative that Ai Li made with her choices for my book.  When another person chooses, they can distance themselves from your work and look critically at what you have sent.  It was a real honour for me to entrust the creator of the Cherita with my work.

 

 

RS: Your book is a collection of Cherita verse. Cherita is a genre of recent origin (1997). Tell us what attracted you to this genre of poetry. Were there any creative influences in your life that encouraged you to adopt this genre as your own.

 

JA:  I am attracted to this genre of poetry as I hold a deep reverence for Ai Li’s poetry and the short form poetry forms as a collective.  I was excited to see that Ai Li had developed this new genre.  She published my short form verse in the 1990s in her journal Still and I was sad when this was no longer in print.  I enjoyed the challenge of learning how to write this new form and find it really resonates with me as a writer.

 

I discovered her new form of Cherita and was hooked by these story gems.  I really admire the way that the Cherita journals are produced and enjoy reading the work within these.  As a writer it is important to keep on working at your craft and I love it when I get to enjoy the work of a fellow poet in the same genre. 

 

RS: River Lanterns has been edited and published by ai li, the creator of Cherita as a genre. How was the experience of connecting with the doyen of Cherita and having her select your Cherita?

 

JA:  As I mentioned earlier Ai Li had published my work in the 90s, then through offering Cherita to her for publication, the connection was reborn.  I have always enjoyed reading Ai Li’s poetry and I have found her to be a gracious supporter of my Cherita.  Sending my work to the creator of the genre I think really made me conscious that I had to elevate my writing to meet the standards to have enough quality Cherita for my own individual collection.  The experience is something that I will treasure as I now have a collection published other people can enjoy and will hopefully encourage them to do the same.

 

RS: Cherita is said to be a unique form of storytelling…storytelling in 6 lines. M Kei says that Cherita verse ‘combine the evocative power of tanka with the narrative of a personal story, like the vignettes we glimpse as we sit in a café and watch the world go by.’ Do you agree ? For the benefit of the readers would you please elaborate on this.

 

JA:  Yes, I think M Kei’s insight is correct.  Cherita to me contain the voice/song/whispers around the campfire as the stories unfold.  They can be written about such a wide range of experiences, focused through the lens of the individual. I love the power of tanka, and I see Cherita as a close cousin, both forms use beautiful language to sing a fragment of the world that we live in.

 

RS: I feel what differentiates Cherita from narrative storytelling, is that it tells a story about life & our spiritual journey. This is very true of your Cherita:

 

have you
found it yet

the fun arcade

where wishes
are the alchemy
of breath

 

What are your thoughts on this?

 

JA:  Yes, I feel a real connection with Cherita and my spiritual side.  This is an element that attracts me to using this form.  It allows me to explore and highlight aspects that may not be accepted in other types of verse.  The Cherita can be used as a blank canvas for me to embed my perspective of my inner and outer world through stories. 

 

RS: What are the themes or stories you have touched upon in your various Cherita verse?

 

JA:  Where to begin…  The Cherita in this collection provides a map of my highs and lows.  They reveal how I see the world and feel about it.  I enjoy adding elements of fairytales, myths, rich imagery, and aspects of the natural world.  The importance of love, loss, friendship, connections, truth etc. all are within.  The Cherita captures a moment of beauty, in time, often of universal things that happen to all of us but told from the narrator’s perspective.    Often there is a vein of spirituality running through the verse.

 

 

RS: There are some cherita terbalik also in your collection. For the benefit of our readers please tell us how this form is different from Cherita and why we need a different syllable arrangement for this form of poetic storytelling

 

JA:  The Cherita terbalik also tells a story but ‘terbalik’ is the Malay word for upside down or reversal (https://www.thecherita.com/)   It is a different arrangement of the original Cherita stanza format.  By using another variation of the Cherita format it enables the writer to alter the flow of the story that they are telling, such as the example from my collection below:

 

the ruby shoes

the glass slipper

the fairy dust

 

as a child

I imagined all

 

in my cupboard

 

To me this verse is stronger with the terbalik arrangement.  Writing Cherita I make a judgement as to which stanza suits the flow of the story.

 

RS: Do you also write in other genres like haiku, senryu, tanka, haibun on a regular basis?  Which is your favorite genre among all these genres (we know your fondness for Cherita of course)

 

JA:  Yes, I also write in other genres such as haiku, senryu, tanka, Haibun and other short form verse.  I began writing contemporary poetry first and then I discovered haiku when I was looking for poetry journals to read and subscribe to.   I fell in love with haiku and feel that they are the guardians of nature and our world.  I find short form poetry very special; these dewdrops of tiny forms really capture a sense of the world around us. 

 

I see the bonds between these genres as strings from the same bow –

 

the heart harp

 

wind and rainfall

skeins from sky

 

this humming

of a melody

our soul bonds

 

Selecting a favourite is like asking a parent to choose a child.  They all hold a place in my heart.  I began with haiku and then progressed to tanka – aspects of the heart.  These are the two that led me into this world of short form poetry and were my entry point for exploring and discovering other genres.  I wouldn’t like to be without any one of them as they each offer a different way to express aspects of the world and my own life journey. 

 

RS: What advice would you give budding poets of Cherita verse?

 

JA:  The advice I would give to writers of any verse is to READ, READ, READ.  Study the form, work on your craft, support the journals that publish them – if you want to write them, then surely you will enjoy reading them. Write, keep on writing and honing, learning the form, find your own style/voice, make connections in the writing world – even if online and listen and appreciate editorial advice – they have a vast range of experience, and this is how you grow as a writer.  The short form poetry world is a beautiful, supportive place.  When you buy a journal that publishes Cherita verse or another genre, be open to learning and see how well other writers use the form.  Try and buy the collections of writers that you admire, this keeps our writers’ world vibrant and alive.

 

Thank you, Joanna, for taking time out to talk to The Wise owl about your beautiful book. We wish you the best and hope you make this unique storytelling genre rich with your verse.

 

Thank you so much for asking me to talk to you. 

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